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Tag Archives: @classic
The horrors of SMS messaging
Naraka 19 (地狱第19层), based on the Cai Jun (蔡骏) novel, gets neutered by SARFT.
Posted in Film
Tagged @classic, Cai Jun, genre fiction, horror, mobile phones, SARFT, SMS
Comments Off on The horrors of SMS messaging
Of banned books and reading habits
The Hong Kong Book Fair’s theme is Reading Hong Kong (阅读香港). Yau Lop Poon (丘立本) writes about reading banned books.
Posted in Books, Magazines
Tagged @classic, banned books, censorship, Hong Kong Book Fair, Soho Xiaobao, Yau Lop Poon
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Harvest turns 50
Harvest magazine (收获) celebrates its fiftieth anniversary with the July, 2007 issue.
China’s kings of destruction
Terrorist Meng Jiangnu and environmental monster Lu Ban stack up against Zhuge Liang, who snarled Yangtze River shipping traffic, and the Foolish Old Man, who launched a premeditated attack on the landscape.
Yu Qiuyu on the hardships of reading
Yu Qiuyu (余秋雨) writes about trunks of books.
Haruki Murakami in Chinese
Lin Shaohua (林少华) talks about how his translations of the works of Haruki Murakami (村上春树) are received in China.
Posted in Books, Media and Advertising
Tagged @classic, books, Haruki Murakami, Lin Shaohua, Southern Metropolis Weekly, translation
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Some like them uncut
Hu Tong (胡同) of Booyee Bookshop (布衣书局) writes about the popularity of uncut editions.
Lu Jinbo: Marketing the Wang Shuo brand
Larry Lu Jinbo (路金波) talks about how he markets books by Wang Shuo (王朔), Han Han (韩寒), and Annie Baobei (安妮宝贝).
Trend-spotting in online fiction
An interview with Daniel Dan Fei (丹飞), publisher of Notes on Graverobbing (盗墓笔记), Rear Palace (后宫), and Those Ming Dynasty Things (明朝那些事).
Posted in Books, Internet, Media business
Tagged @classic, agents, Dan Fei, genre fiction, Mirror, online books
Comments Off on Trend-spotting in online fiction
Work plans for Chinese writers
Zhang Yueran (张悦然) signs with the Beijing Writers’ Association, and as a result has to plan out her contract work. Danwei looks at the work plans that Mao Dun (茅盾), Cao Yu (曹禺), and Lao She (老舍) wrote up in the 1950s.